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- W4224224056 abstract "Between the inter-war years and 1960s, there was a radical shift in the art market status of modern art in the United States. This was not simply a matter of time. This article argues that there was a re-gendering of the discourse of art patronage in America, with modern art being re-presented—as never before—to the potential collector as being if not masculine then ‘not feminine’. It is argued that the Museum of Modern Art, New York, explicitly set out to re-gender collecting discourse as part of its overall aim of enhancing the status of modern art in America." @default.
- W4224224056 created "2022-04-26" @default.
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- W4224224056 date "2022-04-20" @default.
- W4224224056 modified "2023-09-26" @default.
- W4224224056 title "Gender and the market for modern art in the United States" @default.
- W4224224056 doi "https://doi.org/10.36828/newvistas.199" @default.
- W4224224056 hasPublicationYear "2022" @default.
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