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- W4224991209 abstract "This chapter uses Jinling Shisan Chai (2011) as a case study to examine the loss of form and structure in a postmemorial work in translation. Set during the Nanjing Massacre, the most significant national trauma in modern Chinese history, Jinling Shisan Chai bears the burden of nationalistic grand narratives demanded by the social and political context of its writing. Yet, more importantly, it is a postmodern historiographical meta-fiction. Through the representation of postmemory, it underscores the transmission and construction of second-generation memory and suggests possibilities for ‘different histories’ through the duality in its narrative. However, this kind of fluidity and multiplicity, widely accepted and welcomed in contemporary Western literary historiography, appears to be discontinued when the literary treatment of wartime trauma travels to another land. The novel’s English translation, The Flowers of War (2012), has removed the expression of postmemory, refusing the intergenerational dynamics of lived experiences. Consequently, through the novel’s conversion to a traditional and linear story-telling, it becomes an essentialist historiography of a chronologically narrated event. To omit the embodiment and enactment of postmemory is to contain the trauma of another nation, distanced as it is into a one-dimensional presentation framed squarely in the past." @default.
- W4224991209 created "2022-04-28" @default.
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- W4224991209 date "2022-04-26" @default.
- W4224991209 modified "2023-09-24" @default.
- W4224991209 title "Postmemory lost" @default.
- W4224991209 doi "https://doi.org/10.4324/9781003273417-21" @default.
- W4224991209 hasPublicationYear "2022" @default.
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