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- W4225098425 abstract "Vocal theories of voice formation (myoelastic, neurochronaxic and resonant) are analyzed, which made it possible to elucidate the essence of the concept of performing and technical skills of a vocalist from the standpoint of genetics and genesis. It is found that these skills are associated with his integrated ability to vocal phonation, which through repetition acquires signs of permanence, and the processes of voice-creation and of voice-leading to timbre and aesthetic color of the sound necessary for successful stage activities. The main types of performing and technical skills of a vocalist are described, as well as their influence on the manifestation of his artistry from the standpoint of physiology. It is established that these skills are not innate, but acquired during special exercises and while working on musical works, as well as improved in the final form of reporting (tests, exams, academic concerts, etc.). The content of the concept of vocalist artistry is substantiated, which depends on his individual manner of applying performance and technical skills of sound production. It is proved that the performing and technical skills of the vocalist form the basis of his artistry in the process of stage activity due to the manifestation of the ability: to full lower rib diaphragmatic vocal breathing without the use of so-called clavicular breathing; to possess rare distribution of vocal breathing depending on the tempo of the musical work and the duration of a relatively independent continuous musical line or phrase; to use variably the head and chest resonators, taking into account not only the nature of the musical work, but also the choice of appropriate timbre, which best reflects its image and emotional content; to create performance of high-quality with tessitura complex elements of vocal works also with preservation of internal freedom in the process of reproduction of facial expressions; to pronounce clearly with articulatorydictation the text of the vocal work, aimed at conveying its content to the audience; to use virtuously executive and technical mobility of the voice, etc." @default.
- W4225098425 created "2022-04-30" @default.
- W4225098425 creator A5032325432 @default.
- W4225098425 date "2022-03-21" @default.
- W4225098425 modified "2023-09-26" @default.
- W4225098425 title "Implementation of Performance and Technical Skills of the Vocalist as the Basis of Manifestation of his Artistism in the Process of Stage Activities" @default.
- W4225098425 doi "https://doi.org/10.31318/2414-052x.1(54).2022.255423" @default.
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