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- W4225126723 abstract "Arthur Danto had just published an essay about Neuhaus in The Nation , where he famously held the art-critic post formerly occupied by Clement Greenberg. In a characteristic switching of gears from “mere” criticism to something deeper and more profound, he described Neuhaus's sound sculpture as “a portable tabernacle, a bubble of sacral space encapsulated in midtown life, which flows unheedingly around it, save for those attracted as a momentary congregation”. Times Square was precisely the kind of art Arthur relished thinking about. It was about boundaries: between the traditional and the modern, the familiar and the transcendent, the aesthetic and the everyday. Art criticism was for Arthur largely a way of practicing philosophy by other means, but it grew into something more." @default.
- W4225126723 created "2022-05-01" @default.
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- W4225126723 date "2022-04-18" @default.
- W4225126723 modified "2023-10-12" @default.
- W4225126723 title "Boundaries Crossed" @default.
- W4225126723 doi "https://doi.org/10.1002/9781119154242.ch2" @default.
- W4225126723 hasPublicationYear "2022" @default.
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