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- W4226390902 abstract "This chapter discusses the concept of popular music as multiplicity, as the one and the many, and consider the general workings of the popular music community in its collaboration on the pop project. Collaborators might normally be expected to be willing participants in a project, people who have signed up for a joint venture, but perhaps all of us who are involved in pop have signed up simply through our actions in that we have, in some way, ‘contributed to pop music’. Vera John-Steiner and her collaborative partners note four patterns of collaboration that range from the widest form to the closest form: distributed, complementary, integrative, and family. The cycle repeats only inasmuch that we choose to notice the similarities and not the differences. Myths and melodies recycled but their return to form is not one of the shackled slave whose chains will only stretch so far." @default.
- W4226390902 created "2022-05-05" @default.
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- W4226390902 date "2022-04-08" @default.
- W4226390902 modified "2023-09-24" @default.
- W4226390902 title "The Song of a Thousand Songs" @default.
- W4226390902 doi "https://doi.org/10.4324/9781351111959-17" @default.
- W4226390902 hasPublicationYear "2022" @default.
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