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- W4229074865 abstract "Another point of conscience arises which each must decide for himself. Supposing that the collection of wood-engravings of the sixties assumes the proportion of a craze, must the collector retain intact a whole set of an illustrated periodical for the sake of a few dozen pictures within it, or if he decides to tear them out, will he not be imitating the execrable John Bagford, who destroyed twenty-five thousand volumes for the sake of their title-pages? Must he mutilate a Tennyson’s Poems (Moxon, 1857) or The Music-master, or many of Dalziels’ gift-books, for the sake of arranging his specimens in orderly fashion? The dilemma is a very real one. Even if one decides to keep volumes entire, the sets of magazines are so bulky, and in some cases contain such a small proportion of valuable work, that a collector cannot find space for more than a few of them. Possibly a fairly representative collection might be derived entirely from the back-numbers of periodicals, if any huge stores have yet survived the journey to the paper-mill or the flames; the one or the other being the ultimate fate of every magazine or periodical that is not duly bound before it has lost its high estate, as ‘a complete set,’ and become mere odd numbers or waste-paper." @default.
- W4229074865 created "2022-05-08" @default.
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- W4229074865 date "2022-05-06" @default.
- W4229074865 modified "2023-09-24" @default.
- W4229074865 title "Gleeson White, English Illustration, ‘The Sixties, 1855–70’" @default.
- W4229074865 doi "https://doi.org/10.4324/9781315400266-95" @default.
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