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- W4229553391 abstract "Abstract Chapter 4 isolates several essential aspects of Balthasar's theodramatic theory and discusses how they “play” in and through Lars von Trier's dramatic film Breaking the Waves (1996), the first installment of his Golden Heart trilogy. It is no coincidence that Balthasar places his theodramatic program precisely between his Aesthetics and Logic in order to emphasize the spatial centrality of God's dramatic action in, with, and through the world. In addition to examining theological mysteries (such as kenosis and the “events” of Holy Saturday), the chapter demonstrates more acutely the many contributions that Balthasar provides the contemporary religious critic. The chapter finds that the retrieval of this powerful relationship between theology and narrative art—between theological rhetoric and dramatic representation—is a main topic of Balthasar's Theodrama and that a serious study of the implications of his theodramatics bears ripe fruit for theorists of contemporary literature." @default.
- W4229553391 created "2022-05-11" @default.
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- W4229553391 date "2008-01-01" @default.
- W4229553391 modified "2023-09-28" @default.
- W4229553391 title "Breaking the Waves" @default.
- W4229553391 doi "https://doi.org/10.1093/acprof:oso/9780195333527.003.0004" @default.
- W4229553391 hasPublicationYear "2008" @default.
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