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• W4230531419 abstract "Previous article FreeContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreKaren AlexanderKaren Alexander is a freelance curator and an educator based in London. Her research focusses on film and the cultural politics of the archive. In 2014 she established Curating Conversations, a professional development programme aimed at those committed to a career in the visual arts. In 2016, she co-founded Philomela’s Chorus, a moving-image commissioning and exhibition platform for women of colour.Bridget R. CooksBridget R. Cooks is Associate Professor of Art History and African American Studies at the University of California, Irvine. Her scholarship addresses representations of African Americans in visual culture, and museum criticism. She is the author of Exhibiting Blackness: African Americans and the American Art Museum (University of Massachusetts Press, 2011).Mujeres CreandoMujeres Creando is a feminist anarchist movement created in 1990 in La Paz, Bolivia. It is comprised of women of different cultural, social and ethnic origins, and explores creativity as an instrument of resistance and social participation. They run the only feminist radio station in Bolivia with coverage in La Paz and El Alto. They offer a service against violencia machista (male violence) and are in charge of two houses that have become a symbol of self-organised feminism.Irmgard EmmelhainzIrmgard Emmelhainz is an independent translator, writer and researcher based in Mexico City. Her work on film, the Palestine Question, art, culture and neoliberalism has been translated into Chinese, German, Italian, Norwegian, French, English, Arabic, Turkish, Hebrew and Serbian and has been published in an array of international publications. Her fourth book is Jean-Luc Godard’s Political Filmmaking (Palgrave Macmillan, 2018).Hannah GregoryHannah Gregory is a writer and editor living in Berlin. Her work has been published in Art Monthly, The New Inquiry, The White Review and The Wire among others.Max Jorge Hinderer CruzMax Jorge Hinderer Cruz is a Bolivian-German writer, editor and philosopher based in Rio de Janeiro. He is a cultural critic and has worked as an independent curator. His writings have appeared in Afterall, Concreta, Texte zur Kunst, springerin, Nossa Voz and he is the author of Hélio Oiticica and Neville D’Almeida: Block-experiments in Cosmococa – Program in Progress (with Sabeth Buchmann) for Afterall’s One Work series.Yin KerYin Ker is Assistant Professor at the School of Art, Design and Media at Nanyang Technical University, Singapore. She owes her training in art history to the University of Paris-Sorbonne (Paris IV). Her research interests include ‘art’ and ‘art history’ as variable constructs, ancient and modern methods of knowledge- and image-making, ‘art’ and matrices of power and authority, and ways of telling (hi)stories of ‘art’.Pablo LafuentePablo Lafuente is an educator, curator and writer who lives in Rio de Janeiro, where he is the education coordinator for the CCBB. He was the cocurator of ‘Dja Guata Porã: Rio de Janeiro Indígena’ (Museu de Arte do Rio, 2017–18) and the 31st Bienal de São Paulo (2014). He was previously an editor of Afterall journal and is one of the series editors of Afterall’s Exhibition Histories.Lana LopesiLana Lopesi is a critic of art and culture based in Tāmaki Makaurau, Aotearoa New Zealand. Lopesi’s writing is featured in a number of publications in print and online as well as in numerous artist and exhibition catalogues. She is editor-in-chief for The Pantograph Punch and founding editor of #500words.Sven LüttickenSven Lütticken teaches art history at the Vrije Universiteit Amsterdam. He is the author of Cultural Revolution: Aesthetic Practice after Autonomy (2017), History in Motion: Time in the Age of the Moving Image (2013), Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle (2009) and Secret Publicity: Essays on Contemporary Art (2006).Alice Ming Wai JimAlice Ming Wai Jim is Professor at Concordia University Research Chair in Ethnocultural Art Histories. She is co-editor-in-chief with Alexandra Chang of the international scholarly journal Asian Diasporic Visual Culture and the Americas.Simon SheikhSimon Sheikh is a curator and writer who researches practices of exhibition making and political imaginaries. He is a Reader in Art and Programme Director of MFA in Curating at Goldsmiths College, University of London. With Maria Hlavajova, he is the editor of Former West: Art and the Contemporary After 1989 (2016) and is working on the upcoming Bergen Assembly (2019).Võ Hồng Chu’o’ng-ĐàiVõ Hồng Chu’o’ng-Đài is a researcher at Asia Art Archive. Based in Hong Kong, she specialises in modern and contemporary art related to Southeast Asia. Her writing can be found in Revues culturelles (forthcoming from Institut national d’histoire de l’art), Taipei Fine Arts Museum’s MODERN ART Quarterly, the anthology Film in Contemporary Southeast Asia: Cultural Interpretation and Social Intervention (2012) and Journal of Vietnamese Studies.Giovanna ZapperiGiovanna Zapperi is an art historian and a critic based in Paris and Professor of Contemporary Art History, Université de Tours. Her work examines the interrelation between art criticism, visual culture and feminism. Her latest book focusses on the criticism and art historical work of radical Italian feminist Carla Lonzi (1931–82). Previous article DetailsFiguresReferencesCited by Afterall Volume 46Autumn/Winter 2018 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/700256 © 2018 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved.PDF download Crossref reports no articles citing this article." @default.
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