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- W4230761344 abstract "This chapter reflects on LGBT scene space in the UK as shaped by changing economies of place and personhood, which re-produce class as a central point of exclusion, even as inclusion is celebrated, visible and announced (Hines and Taylor, 2012). The re-production of such space via city regeneration, as newly carved out and promoted terrains indicative of city sophistication (the ‘pink triangle’; the ‘merchant quarter’), mediates both place and people and often queerly so. The felt experience that such places were ‘not really their scene’ is suggestive of varied queer (working-class) absences within a limited queer-present. Working-class lesbians both participated in and felt excluded from scene spaces, often criticising them as ‘pretentious’ and ‘unreal’ for their superficiality and cosmopolitan gloss. This fractures the celebration of queer visibility and a commercial viability based on a regenerated ‘coming-forward’ of queer consumer-citizens in ‘global gay’ cities (Binnie, 2000; Stella, 2010; Bassi, 2012). In the aesthetic upgrading of LGBT scenes, a politicised perspective was often believed to have been sacrificed and jeopardised by gendered and classed based inhabitations which interviewees themselves were part of.KeywordsLesbian CommunityCanal StreetBase InhabitationLeisure SpaceProper TasteThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W4230761344 created "2022-05-11" @default.
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- W4230761344 date "2013-01-01" @default.
- W4230761344 modified "2023-09-23" @default.
- W4230761344 title "‘That’s Not Really My Scene’: Working-Class Lesbians In (and Out of) Place" @default.
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- W4230761344 doi "https://doi.org/10.1057/9781137314352_9" @default.
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