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- W4231856597 abstract "This chapter presents a commentary on David Lynch's film career. It focuses on how plastic is the prime matter of his filmmaking, essential to his understanding of cinema. It takes up plasticity's capacity for infinite transformation as an architectural and design dynamic, a feature of mise-enscène, and a mode of fashioning and psychologizing cinematic space. It then explores the emotional registers of plasticity, attempting to explain a key affective paradox in Lynch's work: the way it seems both so manifestly insincere and so emotionally powerful, so impersonal and so intense. Finally, it considers Lynch's persistent tendency to think of forms of media and forms of life as related species. Here, plastic is useful for conceptualizing his picture of the human organism as malleable and heterogeneous. The films examined in this chapter include <italic>Eraserhead</italic> (1977), <italic>The Elephant Man</italic> (1980), and <italic>Lost Highway</italic> (1997)." @default.
- W4231856597 created "2022-05-12" @default.
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- W4231856597 date "2017-04-20" @default.
- W4231856597 modified "2023-10-14" @default.
- W4231856597 title "Wrapped in Plastic" @default.
- W4231856597 doi "https://doi.org/10.5406/illinois/9780252036934.003.0001" @default.
- W4231856597 hasPublicationYear "2017" @default.
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