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- W4233104004 abstract "The Prologue proceeds from the common understanding that Philhellenism was constitutive of the cultural identity of the German Bildungsbürgertum since the end of the 18th century until the 1970s or even the 1980s – i.e. between the times of the French Revolution (1789) and the reunification of the two German states in 1989. This common understanding usually is connected to German poets and writers from Winckelmann to Stefan George (Eliza Butler) or explained with regard to the development of Altertumswissenschaften (Martin Bernal and Suzanne Marchand), albeit with different emphases. The link between Philhellenism and theatromania, epitomized in performances of Greek tragedies since 1800 has so far remained absent from this discussion. Therefore, in this study, the focus will shift to the relationship between performances of Greek tragedies and the cultural identity of the German Bildungsbürgertum. It thus attempts to understand tragedy’s endurance on German stages during the last 200 years." @default.
- W4233104004 created "2022-05-12" @default.
- W4233104004 creator A5006900926 @default.
- W4233104004 date "2017-06-22" @default.
- W4233104004 modified "2023-09-25" @default.
- W4233104004 title "Prologue" @default.
- W4233104004 doi "https://doi.org/10.1093/oso/9780199651634.003.0001" @default.
- W4233104004 hasPublicationYear "2017" @default.
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