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- W4233582015 abstract "Frederick Beiser’s chapter demonstrates the palpable impact of Moses Mendelssohn on Lessing’s <italic>Laocoon</italic>. Mendelssohn composed his own treatise about the differences between the arts in 1757, paying particular attention to hybrid artistic forms that combined ‘natural’ and ‘arbitrary’ signs through their fusion of ‘successive’ and ‘instantaneous’ elements. In his comments on an early draft of <italic>Laocoon</italic>, Mendelssohn reminded Lessing that poetry—due to the arbitrariness of its signs—could also successfully express objects that coexist with one another rather than consecutive actions in time. Of all Mendelssohn’s comments on <italic>Laocoon</italic>, Beiser argues, this was the one that most troubled Lessing as he tried to develop a system for understanding ancient ‘poetry’ and ‘painting’." @default.
- W4233582015 created "2022-05-12" @default.
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- W4233582015 date "2017-10-19" @default.
- W4233582015 modified "2023-09-25" @default.
- W4233582015 title "Mendelssohn’s Critique of Lessing’s Laocoon" @default.
- W4233582015 doi "https://doi.org/10.1093/oso/9780198802228.003.0006" @default.
- W4233582015 hasPublicationYear "2017" @default.
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