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- W4235037280 abstract "The Mauritanian director Med Hondo is acknowledged as one of the great postcolonial chroniclers of the lives of the unrecognised and unrepresented masses in the various waves of the African diaspora, but his own life and its relevance for his filmmaking is less acknowledged. Hondo's first foray into cultural production was in the theatre, rather than cinema, once he had reached his self-declared goal as migrant and moved from Marseilles to Paris. In terms of his approach to filmmaking, whether stylistic, generic, technical or thematic, Hondo is nothing if not a migrant, a man of the diaspora. This chapter aims to examine the Fanonian elements in the film, and thereby to offer one 'meaning' or way of understanding this supposedly impenetrable text. It examines Hondo's early classic Soleil O, where the relationship is both more substantial and more reciprocal than anything implied in Ngugi's image of footnotes." @default.
- W4235037280 created "2022-05-12" @default.
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- W4235037280 date "2019-01-04" @default.
- W4235037280 modified "2023-09-27" @default.
- W4235037280 title "Med Hondo" @default.
- W4235037280 doi "https://doi.org/10.7765/9781526141736.00010" @default.
- W4235037280 hasPublicationYear "2019" @default.
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