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- W4235278537 abstract "Actors in the rehearsal space are presented with an array of objects and told to choose one, then to explore it, allowing the thing itself to suggest ways to give it life. One performer chooses a gas mask, seemingly dating from World War I. It is made of canvas, with black, tinted-glass circles over the eyes and a metal canister near the nose, holding a poison filter to make the air safe to breathe. Through an exploration of its textures, weight, size, fit, comfort, and limitations, the mask begins to reveal its qualities. The gas mask is rapidly transformed from a facial mask into an alter ego that is friendly and menacing at turns: a bird of prey one minute, canine-like the next. Gradually its war-determined qualities come to dominate, and it becomes an ally.KeywordsPerceptual InformationMental SpaceRecognizable LanguageConceptual BlendingPerceptual InforThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W4235278537 created "2022-05-12" @default.
- W4235278537 creator A5053476456 @default.
- W4235278537 date "2011-01-01" @default.
- W4235278537 modified "2023-09-23" @default.
- W4235278537 title "Improvisation" @default.
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- W4235278537 doi "https://doi.org/10.1057/9780230119468_6" @default.
- W4235278537 hasPublicationYear "2011" @default.
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