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- W4236039861 abstract "This chapter looks at what is arguably Wolff's last style period, which encompassed a large body of pieces for diverse players, from solos (from flute to contrabass) to works for chamber groups of many sizes and combinations, though almost no “standard” ensembles. What defined the style of this large body of works was perhaps its most important—if seemingly superficial—trait: almost every score differs in its design and layout from every other. One finds in Wolff's late style a seemingly endless nonredundancy, an avid attempt to keep remixing notational styles and instructions. In addition, the chapter turns to the other, more recent developments in Wolff's personal life, such as the deaths of Cage and Tudor." @default.
- W4236039861 created "2022-05-12" @default.
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- W4236039861 date "2017-04-20" @default.
- W4236039861 modified "2023-09-24" @default.
- W4236039861 title "Not to Do Something I’ve Already Done: 1982–1999" @default.
- W4236039861 doi "https://doi.org/10.5406/illinois/9780252037061.003.0006" @default.
- W4236039861 hasPublicationYear "2017" @default.
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