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- W4236164071 abstract "This chapter is a sonic analysis of <italic>Caché</italic> as an important postcolonial statement, one that attempts to redress historical injustices by amplifying the buried truths, and the ongoing fallout, of France’s colonial legacy. More specifically, the chapter explains the sonic significance of the characters’ speech, silences, and failures to face truths and understand each other (represented by the aural motif of their saying “nothing”), especially in relation to the historically suppressed massacre of Algerians protesting for Independence in October 1961. The chapter also dwells on the film’s undeniable power in the complete absence of any music to mediate its uncompromising representation of lasting social inequities in a postcolonial nation, and on a massive scale. The analysis engages with many other critical reactions to <italic>Caché</italic> that, like much scholarship on Haneke, downplay sonic subtleties and their progressive significance." @default.
- W4236164071 created "2022-05-12" @default.
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- W4236164071 date "2018-01-18" @default.
- W4236164071 modified "2023-10-14" @default.
- W4236164071 title "Caché" @default.
- W4236164071 doi "https://doi.org/10.1093/oso/9780190495909.003.0007" @default.
- W4236164071 hasPublicationYear "2018" @default.
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