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- W4236994005 abstract "Science and art encompass understanding, through human hand and mind; both are applied in the form of creation by human hand and mind. Like Janus, the Roman god of doorways and bridges, they are two faces of the same thing. Great art requires great understanding and great understanding is wasted unless it is applied to create meaningful art, whether this is in the form of written works or paintings. These principles apply not least to the restoration of lakes and whole landscapes from the human-induced damage that is the antithesis of significant art and fundamental science. Because they lie at the lowest points of hydrologic basins, lakes reflect the balance of human activities in their catchments. If these activities are carried out well, they contribute greatly to the landscape and to the welfare of the human population. If carried out badly in the sole interests of exploitation of resources, both human and otherwise, they may become problems reflected, for example, in eutrophication, algal blooms and fish kills. Lake restoration involves first an understanding in a reductionist (scientific) way of the processes that drive lake ecosystems, but then of the ultimate reasons that create these proximate problems. Ultimate reasons lie in a much wider sphere of human nature and the organisation of society. Lake restoration, in its most trivial form, may be simply a form of gardening to allay the symptoms of problems and create the illusion of a solution. Lake restoration in its most profound form involves an understanding of cultural significance and the workings of human societies and forms an epitome for the solution of much greater, global problems. Only in this form does it become truly creative. Approval must come from both of the faces of Janus." @default.
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- W4236994005 date "2007-05-01" @default.
- W4236994005 modified "2023-09-26" @default.
- W4236994005 title "The art and science of lake restoration" @default.
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- W4236994005 doi "https://doi.org/10.1007/s10750-006-0524-2" @default.
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