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• W4238778933 abstract "With Kaja Silverman’s works, a reversal within Lacanian theory becomes abundantly clear that turns away from the old identification paradigm of imaginary misjudgement in the mirror stage. Following Lacan’s reformulation of the gaze as an “objet petit a,” the gaze is thought of as divided from the subject and placed on the side of the object. In the synthesis of Copjec’s/Žižek’s work with Michel Chion’s theories of voice and sound, my aim is to conceive of a fundamental acousmatics of film: not only the voice, but also the gaze in film is structurally acousmatic. In Lacan’s understanding, gaze and voice are strictly equivalent objects. As such, it is my intention to conceive of a political aesthetics from a psychoanalytic acousmatics of film. In the point-of-view paradoxes and transsubjective gazes in Rossellini’s and Antonioni’s post-neorealist films, I analyze the political and social dimension of this acousmatics." @default.
• W4238778933 created "2022-05-12" @default.
• W4238778933 creator A5038319467 @default.
• W4238778933 date "2020-01-01" @default.
• W4238778933 modified "2023-10-14" @default.
• W4238778933 title "On the Acousmatics of Enunciation: Back to the Suture" @default.
• W4238778933 doi "https://doi.org/10.5117/9789462983632_ch04" @default.
• W4238778933 hasPublicationYear "2020" @default.
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