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- W4239660070 abstract "The introduction shifts the focus of the existing scholarly debates on Ozu’s film style from his Japaneseness to his everydayness. As acknowledged by many scholars, such as Donald Richie, Hasumi Shigehiko, Yoshida Kiju, and Gilles Deleuze, Ozu’s everydayness is historical as well as aesthetic—a space that registers social changes through familial changes. The dense texture of Ozu’s everydayness further provides a useful framework for a cross-cultural analysis of domestic space manifest in global art cinema. The introduction also interrogates a thorny notion of influence. Instead of pigeonholing the methodological frameworks employed in delineating Ozu’s aesthetic into the humanist, the culturalist, and the neoformalist, the introduction detects ambivalences in the ways that leading scholars on Ozu have delineated the origins of and influences on Ozu’s film style. A conceptual distinction between formative versus constitutive influence in tracing Ozu’s influence on his successors is proposed." @default.
- W4239660070 created "2022-05-12" @default.
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- W4239660070 date "2017-12-21" @default.
- W4239660070 modified "2023-09-27" @default.
- W4239660070 title "Introduction" @default.
- W4239660070 doi "https://doi.org/10.1093/oso/9780190254971.003.0001" @default.
- W4239660070 hasPublicationYear "2017" @default.
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