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- W4239719523 abstract "Bill Monroe’s opposition meant that for years Flatt and Scruggs would lack the coast-to-coast coverage of Opry station WSM’s 50,000-watt signal. Instead, they played stints at regional stations. By 1953, they once again were being heard over WSM radio, though not on the Opry. Through the second half of the 1950s, the factors for another level of stardom came together for the band—a new record company, repertoire, songwriting, performance, band lineup, presentation, publicity, and business operation. By mid-decade, Louise Scruggs was managing the band from the family home on Donna Drive in the Nashville suburb of Madison. Scruggs’s banjo work gained thoughtful, skilled followers such as Ralph Stanley and Sonny Osborne from country backgrounds and Mike Seeger and Eric Weisberg from the city side." @default.
- W4239719523 created "2022-05-12" @default.
- W4239719523 creator A5066866582 @default.
- W4239719523 date "2019-09-15" @default.
- W4239719523 modified "2023-09-27" @default.
- W4239719523 title "The Number-One Banjo Player" @default.
- W4239719523 doi "https://doi.org/10.5622/illinois/9780252042966.003.0010" @default.
- W4239719523 hasPublicationYear "2019" @default.
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