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- W4240469703 abstract "This chapter considers the problem of depicting the border on screen, and in particular the limits of the ability of an emerging genre of wall documentaries to expose the “reality” of borders in the region. In light of cinema studies scholarship on how documentaries construct truth claims, and studies of filmic and literary representations of the wall, Chapter 5 focuses on two films that examine critically the Israeli-built wall in the West Bank. The first, <italic>Mur</italic> (2004), directed by Simone Bitton, juxtaposes rhetoric and image to interrogate official narratives of the wall. It shows the border to be a deceptive space and reveals the danger of letting the border speak for itself. The second, <italic>Five Broken Cameras</italic> (2011) by Emad Burnat and Guy Davidi, questions the truth claims of documentaries, particularly the notion that the camera can produce a cohesive depiction of the border. Instead, filming the border is a process of constant interruption." @default.
- W4240469703 created "2022-05-12" @default.
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- W4240469703 date "2020-02-01" @default.
- W4240469703 modified "2023-09-26" @default.
- W4240469703 title "Does the Camera Lie? Or, How to Document the Wall" @default.
- W4240469703 doi "https://doi.org/10.3366/edinburgh/9781474456128.003.0005" @default.
- W4240469703 hasPublicationYear "2020" @default.
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