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- W4240845536 abstract "This chapter analyzes Petrarch's <italic>Canzoniere</italic> alongside the first French Petrarchan sequence, Maurice Scève's <italic>Délie: Object de plus haulte vertu</italic> (1544). It examines Petrarch's wretchedness, isolation, and unrequited love to show how his suffering might be interpreted as productive, and more specifically how proclaiming his abjection serves to paradoxically strengthen and shield his voice. The chapter argues that the critical potential of Petrarch's position is rooted in his adaptation of classical <italic>parrhēsia</italic>, the ancient Greek trope of free, bold political speech. It also considers how Scève reshaped Petrarch's incorporeal, symbolic images of Cupid's arrows and the Beloved's gaze into an idiom of intensified violence that altered the terms of love poetry itself. It explains how Scève established a polarized schema that could channel contestation and insurrection from within the lover's wretchedness." @default.
- W4240845536 created "2022-05-12" @default.
- W4240845536 creator A5025577476 @default.
- W4240845536 date "2016-12-13" @default.
- W4240845536 modified "2023-09-29" @default.
- W4240845536 title "Strategies of Abjection: Parrhēsia and the Cruel Beloved from Petrarch’s Canzoniere to Scève’s Délie" @default.
- W4240845536 doi "https://doi.org/10.7591/cornell/9781501705229.003.0002" @default.
- W4240845536 hasPublicationYear "2016" @default.
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