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- W4242794559 abstract "This chapter argues that Anna Sokolow’s 1930s proletarian and anti-fascist choreographies contributed to an increasingly vibrant conversation with the transnational Left through shared ideologies of egalitarianism and antiracism as they made space for women in these conversations. The chapter discusses a catalog of her work, including <italic>Histrionics</italic> (1933), <italic>Speaker</italic> (1935), <italic>Four Little Salon Pieces</italic> (1936), <italic>Strange American Funeral</italic> (1935), <italic>Case History No.—</italic> (1937), <italic>Excerpts from a War Poem (F. T. Marinetti)</italic> (1937), <italic>Façade—Exposizione Italiana</italic> (1937), <italic>Slaughter of the Innocents</italic> (1937), “Filibuster” from <italic>The Bourbons Got the Blues</italic> (1938), <italic>Dance of All Nations</italic> (1938), and <italic>Sing for Your Supper</italic> (1939). These choreographies match the progression of American Communism across the 1930s from early proletarian statements to aligning with the Popular Front against Fascism, and to Jewish–Black alliances across the American Left and leftist cries against the American government as it began to prosecute Communist-affiliated activities." @default.
- W4242794559 created "2022-05-12" @default.
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- W4242794559 date "2017-08-24" @default.
- W4242794559 modified "2023-10-14" @default.
- W4242794559 title "Dances of All Nations" @default.
- W4242794559 doi "https://doi.org/10.1093/acprof:oso/9780199396924.003.0002" @default.
- W4242794559 hasPublicationYear "2017" @default.
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