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- W4242832406 abstract "This chapter analyzes the processes of ascribing new meanings and values (spiritual and material) to objects by appropriating them into the realm of artistic and historical patrimony. It first focuses on the most revealing example: the campaign for the preservation of religious architecture and art that began in the 1830s and reached its culmination in the 1880s–1900s. One of the main intrigues of this campaign was that the objects of contestation—churches and icons—were supposed to be by definition alien to an essentially secular liberal ideology of public domain. However, in fin-de-siècle Russia, religious art “discovered anew” became a tool of both mobilizing and modernizing society. By making Russian religious art less religious and more aesthetic through the discursive and factual (legal, by nationalization) alienation of churches and their belongings, the proponents of preservation strove to create common cultural ground for the people and the elite." @default.
- W4242832406 created "2022-05-12" @default.
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- W4242832406 date "2014-04-13" @default.
- W4242832406 modified "2023-09-25" @default.
- W4242832406 title "Inventing National Patrimony" @default.
- W4242832406 doi "https://doi.org/10.23943/princeton/9780691159058.003.0005" @default.
- W4242832406 hasPublicationYear "2014" @default.
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