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- W4247469826 abstract "This chapter looks at caves in and out of horror films, and asks which of several millennia-worth of cave associations are mobilised in Neil Marshall's <italic>The Descent</italic> (2005). Firstly, and perhaps most importantly, caves are dark, providing the principal fear that <italic>The Descent</italic> plays on, perhaps the most primal fear of all. But darkness is only half the story. Cinematic underworlds are multivalent spaces, able equally to represent a social underground or a character's psyche, and all points in between. The characters in <italic>The Descent</italic> — indeed in any cave horror film — are oppressed by the crushing weight not only of several thousand tons of rock around them but also with the overloaded symbolic freight of the cave, and its several millennia-worth of mythic associations. Ultimately, the cave represents nature in its cycle of death and rebirth, but also represents the abyss, the void, and the limits of knowledge." @default.
- W4247469826 created "2022-05-12" @default.
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- W4247469826 date "2013-08-20" @default.
- W4247469826 modified "2023-09-29" @default.
- W4247469826 title "Going Underground" @default.
- W4247469826 doi "https://doi.org/10.3828/liverpool/9781906733711.003.0005" @default.
- W4247469826 hasPublicationYear "2013" @default.
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