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- W4247835108 abstract "This chapter focuses on the work of the Cyprus-born artists Haris Epaminonda and Christodoulos Panayiotou as examples of artists who have become an integral part of the international art scene, always travelling and working in the inbetween of large metropolitan cities. In the case of the two Cypriot artists considered here, the possibility of constructing alternative knowledge or counter-memory also seems to be the driving force for much of the work undertaken in or with archives. Epaminonda, intrigued by the mysterious outlook of all those objects that seem to have lost their origin, pays attention to the multiple ways in which they might gain a new existence and a new meaning by being part of constructed archives. Hal Foster's observation that artistic work in the archive can in cases become 'a gesture of alternative knowledge or countermemory' explains artists' motivation and describes the nature of their practice." @default.
- W4247835108 created "2022-05-12" @default.
- W4247835108 creator A5034941586 @default.
- W4247835108 date "2020-12-17" @default.
- W4247835108 modified "2023-10-16" @default.
- W4247835108 title "The Archive as a Space for Negotiating Identities: Defying ‘Cypriotness’ in the Work of Haris Epaminonda and Christodoulos Panayiotou" @default.
- W4247835108 doi "https://doi.org/10.4324/9781003103707-16" @default.
- W4247835108 hasPublicationYear "2020" @default.
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