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- W4248093739 abstract "This chapter discusses the collaborative, cyclical relationship between composition and instrument development as it follows the journey from technically extreme compositions, via the design and manufacture of the Howarth-Redgate oboe, to composers’ responses to this new instrument. The chapter takes as its starting point the extreme technical demands that result from the development of extended techniques—for example, the problems with the standard instrument’s keywork that stem from such compositional approaches. Then, through reference to Roger Redgate’s <italic>Ausgangspunkte</italic> and other works that sit at the limits of the playable, the chapter explores the idea of compositional risk-taking as a forum for collaboration. Following a discussion of the first compositional explorations of the redesigned oboe, the potential for further development of the instrument is considered." @default.
- W4248093739 created "2022-05-12" @default.
- W4248093739 creator A5053941531 @default.
- W4248093739 date "2017-12-21" @default.
- W4248093739 modified "2023-09-30" @default.
- W4248093739 title "Composition changing instruments changing composition" @default.
- W4248093739 doi "https://doi.org/10.1093/oso/9780199355914.003.0011" @default.
- W4248093739 hasPublicationYear "2017" @default.
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