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- W4248113315 abstract "Chapter One charts a stylistic history of the cinema which shows how the 1965 arrival of Michaelangelo Antonioni’s film The Red Desert and Pier Paolo Pasolini’s concept of the cinema of poetry led to the emergence of a new kind of image: the psychosocial image. This psychosocial image overcomes a distinction that had previously been maintained between the psyche and the socius. In the expressionist and neorealist currents of the cinema, either the psyche was made to represent the socius, or vice versa. The specifically psychosocial quality of the cinema of poetry and its free indirect mode of perception opens the possibility for crafting images of psychological nonnormativity." @default.
- W4248113315 created "2022-05-12" @default.
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- W4248113315 date "2020-01-01" @default.
- W4248113315 modified "2023-09-30" @default.
- W4248113315 title "The Psychosocial Image" @default.
- W4248113315 doi "https://doi.org/10.5117/9789463723121_ch01" @default.
- W4248113315 hasPublicationYear "2020" @default.
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