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- W4248227738 abstract "ABSTRACT This essay develops a reception history of the Communist Party of the USA’s (CPUSA) responses to Richard Wright’s Native Son. Drawing on what Fiona Paton calls “cultural stylistics,” I argue that the voices residing in Native Son itself participated in the broader interpretive politics surrounding the novel. Specifically, Wright’s primary character, Bigger Thomas, functioned as a disruptive performance of blackness that revealed the limitations of communist orthodoxy for bringing expression to black subjectivity. I conclude by reflecting on the ways cultural stylistics poses salient ethical challenges to all of us who engage in the labor of critique." @default.
- W4248227738 created "2022-05-12" @default.
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- W4248227738 date "2019-01-01" @default.
- W4248227738 modified "2023-09-28" @default.
- W4248227738 title "Dialoging with Bigger Thomas: A Reception History of Richard Wright’s <i>Native Son</i>" @default.
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- W4248227738 doi "https://doi.org/10.5325/jhistrhetoric.22.1.0092" @default.
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