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- W4248288090 abstract "Susan L. Fischer is emerita professor of Spanish and Comparative Literature at Bucknell University and currently a Visiting Scholar at Harvard University. A specialist in early modern theater, she is the author of Reading Performance: Spanish Golden Age Theatre and Shakespeare on the Modern Stage (2009), as well as myriad studies on Lope de Vega, Tirso de Molina, Calderón de la Barca, and Shakespeare, focusing primarily on (post)modern stagings of their plays in Spain, England, and France. She is also editor of, and co-contributor to, two volumes, Comedias del siglo de oro and Shakespeare (1989) and Self-Conscious Art: A Tribute to John W. Kronik (1996); co-editor of, and co-contributor to, a third collection, Women Warriors in Early Modern Spain: Essays in Honor of Bárbara Mujica (2019); and editor of the psychology journal, Gestalt Review, published by The Pennsylvania State University Press (www.gisc.org/gestaltreview/). A Festschrift—Shakespeare and the Spanish Comedia: Translation, Interpretation, Performance. Essays in Honor of Susan L. Fischer—appeared in 2013. Most recently, she published a review essay on James Bulman's extensive edited collection of 700 pages, The Oxford Handbook of Shakespeare and Performance in Cahiers Élisabéthains (2020); and her article, “Caught in a Mirror of Princes: Lope de Vega’s El castigo sin venganza, From Early Modern Statecraft to Helena Pimenta’s Stagecraft,” appeared in Bulletin of the Comediantes (2020)." @default.
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- W4248288090 date "2021-01-01" @default.
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- W4248288090 title "Viewing and Re-viewing the <em>Comedia:</em> Conversation with Bárbara Mujica" @default.
- W4248288090 doi "https://doi.org/10.5325/comeperf.18.1.0007" @default.
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