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- W4248591505 abstract "This dissertation provides a media archaeology of the film projector, concentrating on the conceptualization and use of projector noise through the lens of the modernist and contemporary avant-garde, that offers new ways of understanding cinema, interpreting embodied cinematic space, and extending the discourse on audiovision in general. Looking toward the projector allows us to see how it is a productive labourer in the construction of cinematic experience. Listening to its noises— which have been framed as insignificant and/or unwanted—allows us to understand the way cinema is in fact a performative art with a certain kind of liveness. Part One of this dissertation traces an alternative history of cinema focused on the projector beginning with the pre-cinema technologies of the camera obscura, the telescope and the magic lantern. Part Two analyzes how the avant-garde has engaged with the projector-as-instrument during three major technological transitional moments in cinema: first, early cinema and the rise of the Cinématographe by looking at the Italian futurists, specifically Arnaldo Ginna and Bruno Corra’s interest in the projector-as-instrument and the relationship between the Cinématographe and Luigi Russolo’s" @default.
- W4248591505 created "2022-05-12" @default.
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- W4248591505 date "2021-05-23" @default.
- W4248591505 modified "2023-09-26" @default.
- W4248591505 title "The Projector's Noises: A Media Archaeology Of Cinema Through The Projector" @default.
- W4248591505 doi "https://doi.org/10.32920/ryerson.14658189" @default.
- W4248591505 hasPublicationYear "2021" @default.
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