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• W4249256875 abstract "Free Access References Peter Kivy, Peter KivySearch for more papers by this author Book Author(s):Peter Kivy, Peter KivySearch for more papers by this author First published: 14 April 2011 https://doi.org/10.1002/9781444397666.refs Series Editor(s): Dominic McIver Lopes, Dominic McIver Lopes University of British Columbia, CanadaSearch for more papers by this authorBerys Gaut, Berys Gaut University of St Andrews, UKSearch for more papers by this author AboutPDFPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShareShare a linkShare onFacebookTwitterLinked InRedditWechat References Addison, Joseph. The Spectator. Edited by Alexander Chalmers. 6 vols. New York: D. Appleton, 1879. Allen, Richard, and Murray Smith (eds.). Film Theory and Philosophy. Oxford: Clarendon Press, 1997. Aristotle. The Basic Works of Aristotle. Edited by Richard McKeon. New York: Random House, 1941. Baumgarten, Alexander. Reflections on Poetry. 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Kant, Immanuel. Critique of Judgment. Translated by J.H. Bernard. New York: Hafner, 1951. Kivy, Peter. Authenticities: Philosophical Reflections on Musical Performance. Ithaca: Cornell University Press, 1995. Kivy, Peter. “Charles Darwin on Music.” Journal of the American Musicological Society, 12 (1959), pp. 42– 48. Kivy, Peter. The Corded Shell: Reflections on Musical Expression. Princeton: Princeton University Press, 1980. Kivy, Peter. The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge and New York: Cambridge University Press, 1993. Kivy, Peter. “Herbert Spencer and a Musical Dispute.” The Music Review, 23 (1962), pp. 317– 329. Kivy, Peter. Music Alone: Philosophical Reflections on the Purely Musical Experience. Ithaca, New York: Cornell University Press, 1990. Kivy, Peter. Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford: Clarendon Press, 2007. Kivy, Peter. New Essays on Musical Understanding. Oxford: Clarendon Press, 2001. 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Stanford: Stanford University Press, 1997. Santayana, George. Three Philosophical Poets. Garden City, New York: Doubleday Anchor Books, 1953. Shelley, James. “The Problem of Non-Perceptual Art.” British Journal of Aesthetics, 43 (2003), pp. 363– 378. Sibley, Frank. Approach to Aesthetics: Collected Papers on Philosophical Aesthetics. Edited by John Benson, Betty Redfern, and Jeremy Roxbee Cox. Oxford: Clarendon Press, 2001. Spinoza, Baruch. Ethics and Selected Letters. Translated by Samuel Shirley. Edited by Seymour Feldman. Indianapolis and Cambridge: Hackett, 1982. Wallin, Nils L., Björn Merker, and Steven Brown (eds). The Origins of Music. Cambridge, Mass. and London: MIT Press, 2000. Walton, Kendall L. Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge, Mass. and London: Harvard University Press, 1990. Weatherson, Brian. “Deontology and Descartes's Demon.” Journal of Philosophy, 105 (2008), pp. 540– 569. Wilde, Oscar. The Importance of Being Earnest. New York and London: Samuel French, n.d. Williams, Bernard. Ethics and the Limits of Philosophy. London: Fontana, 1985. Wittgenstein, Ludwig. Philosophical Investigations. Translated by G.E.M. Anscombe. New York: Macmillan, 1953. Woodworth, Robert S., and Harold Schlosberg. Experimental Psychology. New York: Henry Holt and Company, 1954. Zangwill, Nick. The Metaphysics of Beauty. Ithaca, New York: Cornell University Press, 2001. Zuckert, Rachel. “Kames's Naturalist Aesthetics and the Case of Tragedy.” Journal of Scottish Philosophy, 7 (2009), pp. 147– 162. Once-Told Tales: An Essay in Literary Aesthetics ReferencesRelatedInformation" @default.
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