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• W4249341019 abstract "Free Access References Derek Kompare, Derek KompareSearch for more papers by this author Book Author(s):Derek Kompare, Derek KompareSearch for more papers by this author First published: 30 July 2010 https://doi.org/10.1002/9781444328028.refs Series Editor(s): Diane Negra, Diane NegraSearch for more papers by this authorYvonne Tasker, Yvonne TaskerSearch for more papers by this author AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinked InRedditWechat No abstract is available for this article. References Bernstein, Abbie. 2007. “Naren Shankar.” CSI Magazine 1: 7, 38. Google Scholar Caldwell, John T. 1995. Televisuality: Style, Crisis, and Authority in American Television. New Brunswick, NJ: Rutgers University Press. Google Scholar Cavender, Gray and Deutsch, Sarah K. 2007. “CSI and Moral Authority: The Police and Science.” Crime Media Culture 3.1: 67– 81. CrossrefGoogle Scholar Cohan, Steven. 2008. CSI: Crime Scene Investigation. New York: Palgrave Macmillan. CrossrefGoogle Scholar Cole, Simon A., and Dioso-Villa, Rachel. 2007. “CSI and its Effects: Media, Juries, and the Burden of Proof.” New England Law Review 41.3: 435– 69. Google Scholar Cooper, Marc. 2004. The Last Honest Place in America: Paradise and Perdition in the New Las Vegas. New York: Nation Books. Google Scholar Debord, Guy (trans. Ken Knabb). 1983. The Society of the Spectacle. London: Rebel Press. Google Scholar Denton, Sally and Morris, Roger. 2001. The Money and the Power: The Making of Las Vegas and Its Hold on America. New York: Alfred A. Knopf. Google Scholar Gever, Martha. 2005. “The Spectacle of Crime, Digitized: CSI Crime Scene Investigation and Social Anatomy.” European Journal of Cultural Studies 8.4: 445– 63. CrossrefGoogle Scholar Gray, Herman. 2004. Watching Race: Television and the Struggle for Blackness. Minneapolis: University of Minnesota Press. Google Scholar Gray, Jonathan. 2010. Show Sold Separately: Promos, Spoilers and Other Media Paratexts. New York: New York University Press. Google Scholar Hartley, John. 1999. Uses of Television. New York: Routledge. Google Scholar Harrington, Ellen Burton. 2007. “Nation, Identity and the Fascination with Forensic Science in Sherlock Holmes and CSI.” International Journal of Cultural Studies 10.3: 365– 82. CrossrefGoogle Scholar Johnson, Victoria E. 2008. Heartland TV: Prime Time Television and the Struggle for US Identity. New York: New York University Press. Google Scholar Lee, Susanna. 2004. “ ‘These Are Our Stories’: Trauma, Form and the Screen Phenomenon of Law and Order.” Discourse 25.1 (Winter): 81– 97. Google Scholar Lotz, Amanda D. 2007. The Television Will Be Revolutionized. New York: New York University Press. Google Scholar Lury, Karen. 2005. Interpreting Television. London: Hodder Arnold. Google Scholar Mittell, Jason. 2004. Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge. Google Scholar Mopas, Michael. 2007. “Examining the ‘CSI Effect’ through an ANT Lens.” Crime Media Culture 3.1: 110– 17. CrossrefGoogle Scholar Postman, Neil. 1985. Amusing Ourselves To Death: Public Discourse in the Age of Show Business. New York: Penguin. Google Scholar Rapping, Elayne. 2003. Law and Justice As Seen On TV. New York: New York University Press. Google Scholar Reid, Ed and Demaris, Ovid. 1964. The Green Felt Jungle. New York: Pocket Books. Google Scholar Roane, Kit. 2005. “The CSI Effect.” U.S. News & World Report 138.15 (April 25): 48– 54. Google Scholar Rothman, Hal. 2003. Neon Metropolis: How Las Vegas Started the Twenty-First Century. New York: Routledge. Google Scholar Scaggs, John. 2005. Crime Fiction. New York: Routledge. CrossrefGoogle Scholar Schweitzer, N.J. and Saks, Michael J. 2007. “The CSI Effect: Popular Fiction About Forensic Science Affects Public Expectations About Real Forensic Science.” Jurimetrics 47 (Spring): 357– 64. Google Scholar Smith, Greg. 2007. Beautiful TV: The Art and Argument of Ally McBeal. Austin: University of Texas Press. Google Scholar Thomas, Ronald R. 1999. Detective Fiction and the Rise of Forensic Science. New York: Cambridge University Press. Google Scholar Toobin, Jeffrey. 2007. “The CSI Effect.” New Yorker 83.11 (May 7): 30– 35. Google Scholar White, James. 2008. “The Music Man.” CSI Magazine 4 (June/July): 76– 80. Google Scholar CSI ReferencesRelatedInformation" @default.
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