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- W4249606437 abstract "Richard Linklater's filmmaking choices seem to defy basic patterns of authorship. From his debut with the inventive independent narrative <italic>Slacker</italic>, the Austin-based director's divergent films have included the sci-fi noir <italic>A Scanner Darkly</italic>, the socially conscious <italic>Fast Food Nation</italic>, the kid-friendly <italic>The School of Rock</italic>, the teen ensemble <italic>Dazed and Confused</italic>, and the twin romances <italic>Before Sunrise</italic> and <italic>Before Sunset</italic>. Yet throughout his varied career spanning two decades, Linklater has maintained a sense of integrity while working within a broad range of budgets, genres, and subject matters. Identifying a critical commonality among so much variation, the book analyzes Linklater's preoccupation with the concept of time in many of his films, focusing on its many forms and aspects: the subjective experience of time and the often explicit, self-aware ways that characters discuss that experience; time and memory, and the ways that characters negotiate memory in the present; the moments of adolescence and early adulthood as crucial moments in time; the relationship between time and narrative in film; and how cinema, itself, may be becoming antiquated. Crucially filling a gap in critical studies of this American director, the volume concludes with an interview with Linklater discussing his career." @default.
- W4249606437 created "2022-05-12" @default.
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- W4249606437 date "2012-04-01" @default.
- W4249606437 modified "2023-09-29" @default.
- W4249606437 title "Richard Linklater" @default.
- W4249606437 doi "https://doi.org/10.5406/illinois/9780252036927.001.0001" @default.
- W4249606437 hasPublicationYear "2012" @default.
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