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- W4250803282 abstract "This book is concerned with late medieval polyphonic songs preserved in two manuscript collections, one transmitting music composed before 1400 and one after that date: the Chantilly codex (Chantilly, Musée Condé 564, abbreviated Ch564)1 and the Oxford manuscript, Canon. Misc. 213 (Ox 213).2 My goal is to discover more about the historical circumstances of late medieval musical performance by examining works in these two manuscripts, moving beyond a more traditional musicological focus on works of music and their composers to include consideration of the activities of performers, listeners, patrons, and scribes as well. I hope to show that extending our inquiry in this way will allow us to perceive heretofore unrecognized evidence for medieval music-making recorded on the pages of surviving manuscripts." @default.
- W4250803282 created "2022-05-12" @default.
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- W4250803282 date "2013-01-01" @default.
- W4250803282 modified "2023-09-27" @default.
- W4250803282 title "Introduction" @default.
- W4250803282 cites W2290039493 @default.
- W4250803282 doi "https://doi.org/10.1057/9781137310071_1" @default.
- W4250803282 hasPublicationYear "2013" @default.
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