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- W4251178314 abstract "This chapter examines the intermovement connections of the final two movements in Mahler's <italic>Fifth Symphony</italic>—the <italic>Adagietto</italic> and the <italic>Rondo-Finale</italic>. It shows how the questions of aesthetic meaning and biographical context raised by the <italic>Adagietto</italic> are complicated by the fact that the finale of the <italic>Fifth Symphony</italic> has generated its own share of controversy since the appearance in 1960 of Theodor Adorno's classic study <italic>Mahler: Eine musikalische Physiognomik</italic>. The chapter studies these paired final movements of the <italic>Fifth Symphony</italic> and explores the nature of their interrelationship. It then assesses Mahler's techniques of integration in light of the influence on his style of Bach and Wagner as well as his interest in the aesthetics of polarity as articulated by one of his favorite writers, Jean Paul. In this context, the chapter returns to Adorno's conviction that “brokenness” is the key to Mahler's music." @default.
- W4251178314 created "2022-05-12" @default.
- W4251178314 creator A5079664181 @default.
- W4251178314 date "2017-04-20" @default.
- W4251178314 modified "2023-09-24" @default.
- W4251178314 title "Aesthetics of Integration in Mahler’s Fifth Symphony" @default.
- W4251178314 doi "https://doi.org/10.5406/illinois/9780252037160.003.0004" @default.
- W4251178314 hasPublicationYear "2017" @default.
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