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- W4251843203 abstract "‘Hybridity’ has been used by authors in the social sciences, literary, artistic, and cultural studies to designate processes in which discrete social practices or structures, that existed in separate ways, combine to generate new structures, objects, and practices in which the preceding elements mix.Similarly to other concepts taken from biology, for example, reproduction, for which a new elaboration had to take place in order to talk about social, economic, and cultural reproduction, the theoretical solidity and explanatory power of hybridity in social sciences depends upon the manner in which the term is relocated within networks of specific concepts referring to society and culture.The sociocultural construction of hybridity has taken place in several disciplines. As a linguistic process it was elaborated, among others, by Mikhail Baktin, who used the term to characterize the coexistence of learned and popular speech in the same group or even in a single speaker and by Homi Bhabha, who defines hybridity as a ‘metonymy of presence’ and places it amidst power relations, noting differences between colonial and resistance hybridization, depending on whether the linguistic and literary mixes serve domination or subversion. Some historians of the Americas speak of hybridity to explain the interweaving of pre-Columbian imagery with the colonizers' Spanish one and with the culture developed later, during modernity. The use of hybridity has expanded to include diverse intercultural mixes: ethnic mestizaje, syncretism regarding beliefs, and other modern fusion in which arts and crafts integrate with industry, the cultured with the popular and traditional, and with mass media messages." @default.
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- W4251843203 date "2001-01-01" @default.
- W4251843203 modified "2023-09-30" @default.
- W4251843203 title "Hybridity" @default.
- W4251843203 doi "https://doi.org/10.1016/b0-08-043076-7/00890-1" @default.
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