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- W4252007941 abstract "This chapter analyzes the process through which a melody becomes someone’s “personal” tune. The following questions are addressed: How are these associations created and transmitted? How does a tune come to be generally agreed to belong to this or that person? Who are those who tend to become associated with a tune? Which tunes are the most likely to become identified with someone? It is argued that if the Roma of Ceuaş perceive a tune as emotionally charged, this is not so much because of its formal properties as its association with a specific human being." @default.
- W4252007941 created "2022-05-12" @default.
- W4252007941 creator A5063840162 @default.
- W4252007941 date "2021-05-27" @default.
- W4252007941 modified "2023-10-14" @default.
- W4252007941 title "Personal tunes" @default.
- W4252007941 doi "https://doi.org/10.1093/oso/9780190096786.003.0012" @default.
- W4252007941 hasPublicationYear "2021" @default.
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