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- W4253289130 abstract "This article discusses Carl Theodor Dreyer’s <italic>Vampyr</italic> (1931) within the larger context of the vampire film. While <italic>Vampyr</italic> is commonly believed to be inspired by J. Sheridan Le Fanu’s 1872 tale of a lesbian vampire, “Carmilla,” the film is less an adaptation of this Gothic tale than an appropriation of certain modes of narrative representation surrounding earlier vampires. In the opening credits, the film explicitly names its source: Le Fanu’s<italic>In a Glass Darkly</italic>. This collection contains not only “Carmilla,” but four other stories as well. Dreyer uses, “The Room in the Dragon Volant,” as the model for the most iconic sequence in <italic>Vampyr</italic> in which a man meets his own corpse and faces the horror of being buried alive. Turning the representation of this experience into a depiction of the filmic condition <italic>per se</italic>, <italic>Vampyr</italic> goes beyond conventional views of adaptation and negotiates film as itself a vampiric medium." @default.
- W4253289130 created "2022-05-12" @default.
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- W4253289130 date "2016-02-01" @default.
- W4253289130 modified "2023-09-24" @default.
- W4253289130 title "“Doctor! I’m Losing Blood!” “Nonsense! Your Blood is Right Here”" @default.
- W4253289130 doi "https://doi.org/10.14325/mississippi/9781496804747.003.0010" @default.
- W4253289130 hasPublicationYear "2016" @default.
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