FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W4254159440> ?p ?o ?g. }

• W4254159440 endingPage "99" @default.
• W4254159440 startingPage "99" @default.
• W4254159440 abstract "Editorial Drake Stutesman Framework 59.2 has a focus on perception. Perception is immediate, supple, repetitive, and personal, but, in contentious political times, perception can be construed as only a fixed opinion and often extremely so. This issue looks at ways in which perception, art, and politics are blended. In the opening essay, The Grandmaster: Socio-Political Plurality in Contemporary Hong Kong, Tom Cunliffe's geo-political focus broadens a viewer's understanding of the complexities of the internationally screened martial arts genres. In looking at The Grandmaster (2013) as Wong Kar-wai's take on the China-Hong Kong dispute, Cunliffe argues that, through the director's use of the martial arts genre and its specialized niche of the Ip biography, Wong Kar-wai subtly pushed for an overall plurality across Chinese society and for a strong voice from the younger generations. In the dossier, Four Visual Essays, four artists, Rob Roth, MM Serra, Bette Gordon, and Michelle Handelman, who are known for their exceptional experimental talents in both film and media and for their strong opinions, were asked to create a personal essay, composed mostly of visuals and using any approach they wanted. They each made a visual essay embedded with ideas, often political, that they felt were core to their perception of the world and ones that were part of the formation of their subjective and objective selves. Rob Roth, in his Alchemy and the Magick in the Media, contemplates how watching television as a child formed his aesthetic sense. In The Films of MM Serra: Art (core) and the Explicit Body, MM Serra renames what have been called pornographic images, rejecting the artificial term of hard core, and creating Art(core), a gesture toward the importance [End Page 99] of changing our perception of what explicit nudity and sex is. Bette Gordon, known for experimentally formal films and narratives, in her Film Stills from My Work: Looking at Women and Men made a montage of stills from her films with an emphasis on how she perceived the story through color, space, and lighting. Michelle Handelman, mHustlers &Empires, visuallyunfoldedajuxtaposition of images, words, and performance pieces. All these offer the option to look again and again at howwe determine meaning andhowwe read at a gut level. Framework is honored to have their artwork. [End Page 100] Copyright © 2018 Wayne State University Press" @default.
• W4254159440 created "2022-05-12" @default.
• W4254159440 creator A5088507136 @default.
• W4254159440 date "2018-01-01" @default.
• W4254159440 modified "2023-10-17" @default.
• W4254159440 title "Editorial" @default.
• W4254159440 doi "https://doi.org/10.13110/framework.59.2.0099" @default.
• W4254159440 hasPublicationYear "2018" @default.
• W4254159440 type Work @default.
• W4254159440 citedByCount "0" @default.
• W4254159440 crossrefType "journal-article" @default.
• W4254159440 hasAuthorship W4254159440A5088507136 @default.
• W4254159440 hasConcept C107038049 @default.
• W4254159440 hasConcept C141715002 @default.
• W4254159440 hasConcept C142362112 @default.
• W4254159440 hasConcept C144024400 @default.
• W4254159440 hasConcept C153349607 @default.
• W4254159440 hasConcept C15744967 @default.
• W4254159440 hasConcept C169760540 @default.
• W4254159440 hasConcept C174468945 @default.
• W4254159440 hasConcept C17744445 @default.
• W4254159440 hasConcept C199539241 @default.
• W4254159440 hasConcept C26760741 @default.
• W4254159440 hasConcept C29595303 @default.
• W4254159440 hasConcept C520712124 @default.
• W4254159440 hasConcept C52119013 @default.
• W4254159440 hasConcept C70789860 @default.
• W4254159440 hasConcept C94625758 @default.
• W4254159440 hasConceptScore W4254159440C107038049 @default.
• W4254159440 hasConceptScore W4254159440C141715002 @default.
• W4254159440 hasConceptScore W4254159440C142362112 @default.
• W4254159440 hasConceptScore W4254159440C144024400 @default.
• W4254159440 hasConceptScore W4254159440C153349607 @default.
• W4254159440 hasConceptScore W4254159440C15744967 @default.
• W4254159440 hasConceptScore W4254159440C169760540 @default.
• W4254159440 hasConceptScore W4254159440C174468945 @default.
• W4254159440 hasConceptScore W4254159440C17744445 @default.
• W4254159440 hasConceptScore W4254159440C199539241 @default.
• W4254159440 hasConceptScore W4254159440C26760741 @default.
• W4254159440 hasConceptScore W4254159440C29595303 @default.
• W4254159440 hasConceptScore W4254159440C520712124 @default.
• W4254159440 hasConceptScore W4254159440C52119013 @default.
• W4254159440 hasConceptScore W4254159440C70789860 @default.
• W4254159440 hasConceptScore W4254159440C94625758 @default.
• W4254159440 hasIssue "2" @default.
• W4254159440 hasLocation W42541594401 @default.
• W4254159440 hasOpenAccess W4254159440 @default.
• W4254159440 hasPrimaryLocation W42541594401 @default.
• W4254159440 hasRelatedWork W2357199448 @default.
• W4254159440 hasRelatedWork W2357939938 @default.
• W4254159440 hasRelatedWork W2505267254 @default.
• W4254159440 hasRelatedWork W2562975767 @default.
• W4254159440 hasRelatedWork W2748952813 @default.
• W4254159440 hasRelatedWork W2795355689 @default.
• W4254159440 hasRelatedWork W2799118943 @default.
• W4254159440 hasRelatedWork W3147622923 @default.
• W4254159440 hasRelatedWork W3188020494 @default.
• W4254159440 hasRelatedWork W585182528 @default.
• W4254159440 hasVolume "59" @default.
• W4254159440 isParatext "false" @default.
• W4254159440 isRetracted "false" @default.
• W4254159440 workType "editorial" @default.