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- W4254320923 abstract "This chapter explores a portrait of King Henry VIII that has played a key role in sustaining and inflecting received notions of the Tudor age in the post-Tudor period. It argues that almost without exception the Tudorist visual representations of King Henry VIII from the mid-sixteenth to the twenty-first century derive their communicative force from, and were indeed only made possible because of, the existence of an extraordinarily compelling and efficacious point of origin. The portrait of Henry VIII that set this cascade of information, ideas, and associations about the king in motion was the full-length portrait from the Whitehall Mural, painted by Hans Holbein the Younger (1497–1543) in 1537." @default.
- W4254320923 created "2022-05-12" @default.
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- W4254320923 date "2011-12-22" @default.
- W4254320923 modified "2023-10-17" @default.
- W4254320923 title "Myth and Memory in Representations of Henry VIII, 1509–2009" @default.
- W4254320923 doi "https://doi.org/10.5871/bacad/9780197264942.003.0011" @default.
- W4254320923 hasPublicationYear "2011" @default.
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