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- W4255296604 abstract "Chapter8 looks at how lesbianism was connected to Satanism in fin-de-siècle discourses, and how a lesbian poetess could turn the tables and use this association as part of a subversive feminist strategy. An important transitional text between outright condemnation and embrace of this combination as something positive, Catulle Mendès’s <italic>Méphistophéla</italic> (1890), is analysed in some detail. The main section of the chapter treats the explicit Sapphic Satanism of poetess Renée Vivien. She produced pieces celebrating Satan as the God of femininity, or even the creator of woman, as well as a protector of homosexuals. It would be an oversimplification to view this tendency as simply an internalization of negative stereotypes. A better option, it is argued, is to understand it as part of the ambiguities of the broader Decadent project, with its inversions that are only occasionally followed through to the end." @default.
- W4255296604 created "2022-05-12" @default.
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- W4255296604 date "2017-09-21" @default.
- W4255296604 modified "2023-10-14" @default.
- W4255296604 title "Lucifer and the Lesbians" @default.
- W4255296604 doi "https://doi.org/10.1093/oso/9780190664473.003.0008" @default.
- W4255296604 hasPublicationYear "2017" @default.
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