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- W4255306715 abstract "This chapter considers the stakes of Shub's relative restraint in cutting her footage at a time when her contemporaries called for more transformative, more rapid, and more radical editing approaches. It highlights the gendered tenor that framed the actual process of editing as the work of a collective female apparatus endowed with invaluable dexterity but lacking its own creative intentionality. The major challenge in discussing Shub's work stems from her biographical connection to numerous more famous contemporaries, which inevitably begs comparative evaluations. In Shub's hands, the task of re-editing, born of a policy for revising fictional imports, becomes an act of revising national history. The chapter describes the various functions that editing encompasses within a film's production and distribution cycle: circulation editors check and repair damage to returning prints. The metaphor of the editor as film's dutiful caretaker can be interpreted quite literally, keeping in mind the materiality of film, particularly celluloid." @default.
- W4255306715 created "2022-05-12" @default.
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- W4255306715 date "2021-04-09" @default.
- W4255306715 modified "2023-09-23" @default.
- W4255306715 title "A Skillful Isis" @default.
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- W4255306715 doi "https://doi.org/10.1002/9781119116172.ch8" @default.
- W4255306715 hasPublicationYear "2021" @default.
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