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- W4255655336 abstract "In the late 1960s, a renewed focus on the theatrical aspects of musical performance merged with the political and social concerns of the times to create a new genre, music-theater. For percussionists, theatricality is inherent in the action used to play their instruments. Recognizing this, composers created works that incorporated various aspects of theater, designating these new compositions as mixed- or multimedia, intermedia, or music-theater. Examples of this genre are discussed in this chapter beginning with the works of the American maverick composer Harry Partch, who not only created the music, but also built the instruments used in his productions. The genre is defined further through a description of the works of composers Benjamin Johnston, Mauricio Kagel, Karlheinz Stockhausen, Jean-Pierre Drouet, and Michael Udow. Each percussion composition described is unique, incorporating theatrical components such as lighting, stage actions, improvisation, electronics, film, set design, and other elements." @default.
- W4255655336 created "2022-05-12" @default.
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- W4255655336 date "2020-07-01" @default.
- W4255655336 modified "2023-09-27" @default.
- W4255655336 title "Music-Theater" @default.
- W4255655336 doi "https://doi.org/10.5622/illinois/9780252043130.003.0009" @default.
- W4255655336 hasPublicationYear "2020" @default.
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