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- W4255752593 abstract "Abstract Motion is fundamental to the Iliad: both its continuous flow of swift movement, and significant refusals to move. In the prime story, Achilles refuses motion, then speeds in action. In mid-poem, forces pressing for motion meet in fixity, until Hector breaks through. The Iliad is more interested in speed than the Odyssey, as analysis of lexicon confirms. It also much exploits the basic traditional language, with e.g. preverbs of direction detachable for emphasis. Verbs of non-motion like ‘lie’ or ‘stay’ acquire great resonance. Particular passages include Helen refusing movement and urging it on a goddess, Andromache’s reluctant and Paris’s eager movement, Nestor’s thought on motion like a poised wave, Hector’s pondering on motion and his flight from Achilles, Patroclus and Hector leaping from their chariots while Cebriones falls. These show: hierarchy, emotion, motion as imagery and as subject-matter for thought, willed motion and motion externally caused (‘intransitive’ and ‘transitive’), the development of narrative in time. Contrasts (as of slow and quick goddesses), conflicts of will (as between Apollo and Diomedes), shapes of movement (as of twisting snake and circling sparrow) construct in the poem a connected and variegated web of motion." @default.
- W4255752593 created "2022-05-12" @default.
- W4255752593 creator A5012360474 @default.
- W4255752593 date "2020-05-07" @default.
- W4255752593 modified "2023-10-14" @default.
- W4255752593 title "Homer, <i>Iliad</i>" @default.
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- W4255752593 doi "https://doi.org/10.1093/oso/9780198855620.003.0003" @default.
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