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- W4256026345 abstract "The Introduction argues for the salience of the face to face for bridging the disciplinary divide between performance studies and ethical philosophy. The authors sketch three exemplary kinds of face-to-face engagement: the love duet, conflict, and recognition. Drama insists on faces in motion—turning towards and away; facing, defacing, and outfacing; saving face and losing face. Moreover, Shakespeare’s plays present the interactions between characters’ faces through the inter-face of theater, implicating the audience and its own judgments in the first-order movements of trust and betrayal." @default.
- W4256026345 created "2022-05-12" @default.
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- W4256026345 date "2019-07-01" @default.
- W4256026345 modified "2023-09-25" @default.
- W4256026345 title "Introduction" @default.
- W4256026345 doi "https://doi.org/10.3366/edinburgh/9781474435680.003.0001" @default.
- W4256026345 hasPublicationYear "2019" @default.
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