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• W4281762593 abstract "A monograph by Boris Ioganson, The Moscow Union of Artists. A Perspective from the 21st Century. Book Two, is a continuation of his fundamental text on the history of the Moscow Union of Artists from 1932 to 1962, published in 2019 1. The second volume (or Book Two) covers the period from 1962 to the end of the 1980s, the late Soviet period when cultural life was full of contradictions, and the Moscow Union of Artists, in the most bizarre way, combined the features of a large bureaucratic institution and a creative organisation. Fairly pointing out that “the history of the Moscow Union of Artists is practically not covered in the scientific literature except for a biased approach to assessing the formation of the Union of Artists itself, which many regarded only as the intention of the authorities to control the artistic life of the country,” Ioganson emphasises that “the activities of this organisation, starting from the 1960s, is even less analysed and is associated mainly with the opposition to the new nonconformist art, which was widespread after the events of 1962 in the Manezh, and with N.Khrushchev’s visit of the anniversary exhibition dedicated to the 30th anniversary of the Moscow Union of Artists. In this way, he announced the titanic work he had done - he analysed archival materials practically untouched by researchers, structured and presented the portrait of the Moscow Union of Artists to his reader as voluminously and fully as possible. The task is truly monumental and complicated by the fact that, at present, it is generally accepted to regard the Moscow Union of Artists as a clumsy and retrograde organisation, as the spokesman and guardian of the recruited consciousness”.2 Ioganson tries to challenge this one-sided approach throughout the book. One of his tasks is to show that the Moscow Union of Artists was very different primarily because it included different artists. For the researcher, “the presence of a unique experience accumulated in the course of the life of this multifaceted and well-coordinated organism that regulates the artistic life of Moscow and spreads its influence far beyond the capital” comes to the fore. It is important to note that in Book Two, Ioganson, in contrast to Book One, delves into the intricacies of apparatus games and pays attention to the artistic process as such and its features characteristic of the period under study. At the same time, he considers artists’ works and fates impartially." @default.
• W4281762593 created "2022-06-13" @default.
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• W4281762593 date "2022-05-10" @default.
• W4281762593 modified "2023-09-28" @default.
• W4281762593 title "A REVIEW OF THE BOOK THE MOSCOW UNION OF ARTISTS. A PERSPECTIVE FROM THE 21ST CENTURY. BOOK TWO BY B. IOGANSON (MOSCOW: BOOKSMART, 2021)" @default.
• W4281762593 doi "https://doi.org/10.36340/2071-6818-2022-18-2-93-100" @default.
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