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- W4283274329 abstract "Chapter 3 shows Mahler’s dual approaches to the form of the movement. Sometimes, sonata form takes the lead; sometimes, the existential agenda is in control. Mahler shows a predilection for dramatic extremes. He fixates on the lyrical secondary theme to project a fortuitous resolution of the symphony’s existential concerns, but often undercuts such moments by returning suddenly to the more angst-ridden music of his existential issues. A rhetoric of antithesis results. Mahler’s fondness for musical conundrums is considered: the English horn inexplicably introduces a bare-boned motive that only in the finale will evolve into a central event of the symphony. Musical quotations laden with symbolic significance—from Wagner’s music dramas, Gregorian chant, and Mahler’s own music—are examined. The chapter concludes by considering the impact of Hans von Bülow’s annihilating criticism of the first movement on Mahler’s long delay in completing the Second Symphony." @default.
- W4283274329 created "2022-06-23" @default.
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- W4283274329 date "2022-02-17" @default.
- W4283274329 modified "2023-09-23" @default.
- W4283274329 title "The First Movement: Development and Recapitulation" @default.
- W4283274329 doi "https://doi.org/10.1093/oso/9780197575635.003.0003" @default.
- W4283274329 hasPublicationYear "2022" @default.
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