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- W4283313784 abstract "As the COVID-19 pandemic continues to violently underscore the pre-eminence and precariousness of corporeality, the audiences’ bodily engagement with the screens on which they watch cinema is apt to undergo a range of shifts. When India implemented one of the strictest shutdowns in the world to control the spread of COVID-19, a population renowned for its fervent film fanbase, was forced away from film theatres. A privileged minority, however, was able to continue their pursuit of cinema by turning to the screens within their possession. This study engages with Indian women who have access to digital screens to watch Indian films. Based on in-depth interviews conducted with over forty women from predominantly urban India over the course of three months, this study observes how these reconfigurations primarily proceed along three axes: shifts in the linguistic and ideological rubric where the body’s investment in the digital screen becomes emplaced, the emergence of new constellations of women’s communities centered around cinema, the increased introspection among women about the genre of cinema watched on digital screens, and the subsequent impact on their gendered identity." @default.
- W4283313784 created "2022-06-24" @default.
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- W4283313784 date "2022-06-23" @default.
- W4283313784 modified "2023-09-30" @default.
- W4283313784 title "Screening Bodies" @default.
- W4283313784 doi "https://doi.org/10.32920/ifmj.v2i3.1507" @default.
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