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- W4283792437 abstract "This chapter argues that today people are just beginning to recognize, in a clear and simple way, the quantity of languages that exist. Particularly in theatre, where it has become a cliche to say that other aspects of experience, and only words, form a language: the language of the body, and so on. In the theatre a clear example can be seen in the indefinably potent fascination that the early work of Robert Wilson provoked. The ‘this’ and ‘that’ are approximations which become more precise when the apparent precision of analysis gives way to the precision of the image, the flow of the story as it unfolds. The birds talk to each other, and their language is no more Persian than it is French. So it is situated in a fictional, vaguely ‘Oriental’ universe, to free it from any specific and familiar location. Also there is no realistic context in this story." @default.
- W4283792437 created "2022-07-05" @default.
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- W4283792437 date "2022-07-04" @default.
- W4283792437 modified "2023-09-25" @default.
- W4283792437 title "The Language of Stories" @default.
- W4283792437 doi "https://doi.org/10.4324/9781003320418-6" @default.
- W4283792437 hasPublicationYear "2022" @default.
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